FKA twigs performed live at the Fillmore Auditorium in Denver, Colorado, on Monday, March 30, 2026, for her Body High Tour. The performance wasn’t simply a concert; it was a living installation, a hybrid of rave, ritual, and performance art that blurred the lines between a pop show and avant-garde theater.

A Theatrical Opening

Twigs emerged onstage reclined on a bed, initiating the show with a minimal, glitchy, hard-edged drum beat. She was soon joined by a single dancer with angel wings, circling her like a guardian or specter. This transitioned into a piano performance by twigs herself, setting the stage for an unconventional set.

A Sequence of Scenes

The show unfolded less like a traditional setlist and more like a series of interconnected scenes. Slow piano passages dissolved into ominous, industrial beats, while her vocals were soft and whimsical. Movement was central to the experience, with dancers performing in hypnotic unison alongside shimmering synths and relentless drum builds.

The Story Behind the Name

The artist’s moniker, “FKA” stands for “Formerly Known As.” Originally known simply as “Twigs” due to the sound of her cracking joints, she added the prefix after another artist claimed the name Twigs.

Sonic and Visual Landscape

Sonically, the night leaned into hardstyle and melodic techno, frequently reaching high BPMs designed for physical engagement. Tracks from her recent album resonated with clarity, filling the room with ethereal textures, while her falsetto vocals cut through with haunting emotion. Visually, the performance resembled cyberpunk burlesque or an underground rave, maintaining a maximalist and energetic atmosphere.

References and Reinvention

Throughout the performance, she incorporated references to her past work, displayed on screens during songs like “Tears in the Club,” creating a meta-narrative of reinvention and self-reflection. The performance also included elements of queer ballroom culture, such as death drops, vogueing, and rapid-fire rap verses.

Moments of Transcendence

A particularly striking moment occurred during “Eusexua,” when a spotlight isolated twigs in stillness. The audience collectively held its breath, captivated by her voice. The spectacle then escalated with aerial choreography and dynamic movement, before stripping back to reveal its minimal core.

Emotional Resonance

Despite the scale and ambition, nothing felt excessive. The choreography was hypnotic, the staging precise, and every aesthetic choice served the emotional arc of the performance. At the end, twigs spoke directly to the audience about community and the importance of connection, a message that resonated deeply after the intense sensory experience.

A Maximalist Dream

FKA twigs transformed The Fillmore into a maximalist club dream filtered through high art—campy, confrontational, sensual, and deeply human. She specifically requested the open floor plan to foster “unobstructed energy” between herself and the crowd.

Additional Notes

  • To prepare for her role in the 2024 remake of The Crow, she reportedly immersed herself in dark, atmospheric soundscapes.
  • Her single “Cellophane” is considered a landmark vocal performance of the 2010s.
  • She is known for her “relic-like” fashion, often using archival pieces.
  • Before her solo career, she was a backup dancer for artists like Jessie J, Kylie Minogue, and Ed Sheeran.

Photography by: Brandon Johnson. Music Editor Emily Ferguson. If you value independent journalism, please consider supporting our coverage of Denver’s music and entertainment scenes.