Phoebe Bridgers announced a fall 2025 arena tour that will hit major U.S., Canadian and European venues, beginning September 15 in Indianapolis. The itinerary follows a string of surprise pop‑up shows and precedes her third solo album, slated for release later in the year.

The Lost Tour 2025 kicks off September 15 in Indianapolis

According to the announcement, the North American leg opens on September 15 in Indianapolis and then moves through Chicago, New York City, Toronto, Boston, Nashville and Los Angeles. After the U.S. and Canadian dates, Bridgers will travel to Europe for stops in Dublin, London, Paris, Amsterdam, Berlin and additional cities. The schedule places her in the largest markets during the autumn concert season, a period traditionally dominated by legacy rock acts.

Alex G and Isaac Wood booked as North American and European supports

The report says indie‑rock singer‑songwriter Alex G will open the North American shows, while former Woodpigeon frontman Isaac Wood will take the supporting slot on the European dates. Both artists have cultivated cult followings, offering fans a cohesive aesthetic that aligns with Bridgers’ melancholic yet intimate style. Their inclusion also signals Bridgers’ intent to spotlight emerging talent rather than rely on mainstream opening acts.

Randomized presale lottery forces fans to race for tickets

Ticket sales will be conducted through a two‑phase lottery presale, as detailed in the source. Fans must register by 11:59 p .m. CT on June 7 for the first random draw on June 9; a second registration window opens on June 10 for those who miss the first deadline. General sales start at 10 a.m. local time on June 10. This system, described by the announcement, aims to curb scalping but has drawn criticism from fans who worry about fairness.

No‑phone rule extends from MSG show to entire tour

Bridgers enforced a strict no‑phone policy during her recent Madison Square Garden performance, and the same rule will apply to every Lost Tour 2025 concert. The policy, intended to create an immersive, present experience, bans audience members from recording or using phones onstage. Organizers say security will mnoitor compliance, though some industry observers question whether the rule could deter casual concertgoers accustomed to live‑streaming.

Will the no‑phone policy deter casual concertgoers?

The source does not include reactions from ticket buyers, leaving it unclear how the ban will affect attendance among younger fans who habitually document shows . Additionally , it remains unknown whether venues will face logistical challenges enforcing the rule across multiple countries.