Japan’s latest music charts reveal a dramatic reshuffle: NMB48’s TV anime single "Hajimete no All" surged to the top of the sales chart with over half‑a‑million copies sold, and Arashi’s catalogue climbed sharply after their final Tokyo Dome concert on May 31. the movements underscore how media tie‑ins and farewell tours can still sway consumer behavior in a streaming‑heavy market.

"Hajimete no All" sells 533,176 copies, giving NMB48 their first #1

According to the report, NMB48’s theme song for the anime series Hajimete no All moved to the summit of the sales chart, moving 533,176 units in its debut week. The single also entered the download chart at No. 22 and video views at No . 25, marking the group’s inaugural chart‑topping performance.

Arashi’s post‑tour revival: five songs enter the top 100

The group’s final Tokyo Dome tour on May 31 appears to have reignited interest in their back catalogue, as the report notes a jump from No. 17 to No. 7 for the single "Five," and multiple older tracks re‑appearing: "Love so sweet" rose to No. 27, "Happiness" entered at No. 36, "One Love" at No. 59, "Monster" at No. 84,and "A·RA·SHI" at No. 95.

Sakanaction’s "Yoru no Odoriko" holds streaming crown despite slipping to No. 2

While the song fell to the No. 2 spot on the overall chart, the report confirms it remains No. 1 for streaming and No. 2 for video, illustrating the track’s continued digital dominance even as sales shift elsewhere.

Koji Tamaki’s "Fanfare" climbs after concluding Billboard Classics tour

Koji Tamaki’s "Fanfare" moved from No. 74 to No. 60, a modest rise that coincided with the end of his Billboard Classics tour, LEGENDARY SYMPHONIC CONCERT 2026, on May 26‑27, as noted in the source.

Who will sustain mometum after the anime boost?

The report does not reveal whether NMB48 can maintain its sales surge beyond the anime’s broadcast window, leaving industry watchers to wonder if the group’s next release will capitalize on this breakthrough.