Netflix’s comedy‑drama, created by Tina Fey, Lang Fisher and Tracey Wigfield, logged 4.4 million viewers and 18.3 million hours watched worldwide in the first four days of its Season 2 launch , according to the streaming platform’s data.. the strong performance placed the series in the global top‑three and at #3 in the United States, prompting speculation about a third season.

4.4 million viewers in first four days lifts series to global top‑3

In its sophomore outing, the show attracted 4.4 million viewers and amassed 18.3 million hours of streaming globally within just four days, as Netflix reported.. Those numbers secured a spot in the worldwide top‑three titles and kept the series at #3 on the U.S. chart, underscoring its rapid ascent among new and returning sitcoms.

David Tennant’s cameo as Gianpiero sparks third‑season buzz

British actor David Tennant appeared in the Season 2 finale as Gianpiero, the Italian neighbor who welcomes Anne to her new life abroad.. The cameo has generated fresh chatter on social media,with fans noting how Tennant’s star power could broaden the show’s appeal if he returns for a third season.

Season 2’s cliffhanger sets up Anne’s Italian chapter

The finale ends with Anne stepping onto Italian soil, a narrative beat that deliberately leaves the story open for continuation. The creators have hinted that this new setting offers fertile ground for fresh comedic situations, reinforcing their optimism about a renewal.

Creators Tina Fey, Lang Fisher and Tracey Wigfield eye renewal

Fey, Fisher and Wigfield have publicly expressed hope for a third season, citing the show’s strong viewership and the narrative possibilities opened by the Italian arc. As the Netflix report said, the series’ “popularity and the addition of new cast member David Tennant” make a renewal “easy to see.”

Who will decide the series’ fate?

While the streaming data are compelling, Netflix has not officially confirmed a third season, and no renewal timeline has been disclosed. The platform’s typical renewal cadence for comedy‑dramas remains a variable that could affect the show’s future.