Ben Stevenson, the celebrated Grand Master of Houston Ballet, passed away on March 29th in Fort Worth, Texas, just days before his 90th birthday. Born in Portsmouth, England, in 1936, Stevenson dedicated his life to the art of ballet, becoming a pivotal figure in the American dance landscape.

Early Career and Influences

Stevenson began his career as a dancer with London’s Sadler’s Wells and London Festival Ballet. He also performed in West End musicals, developing a keen understanding of theatrical dance and the refined techniques of British ballet. Prior to his long tenure in Houston, he held leadership positions with NYC’s Harkness Youth Dancers, Washington D.C.’s National Ballet, and Ruth Page’s Chicago Ballet.

Transforming Houston Ballet

In 1976, Stevenson was appointed artistic director of Houston Ballet, marking the beginning of a remarkable 27-year period of growth and artistic achievement. He fostered a dynamic environment, expanding the company’s repertoire, increasing the number of dancers, and significantly growing its endowment and facilities.

Discovering and Nurturing Talent

Stevenson had an exceptional eye for talent, discovering and mentoring numerous prominent performers throughout his career. These included Janie Parker, Lauren Anderson, Andrea Vodehnal, Susan Longley, Krissy Richmond, Matti Tikkanen, Martha Butler, Li Cunxin, and Carlos Acosta. He cultivated well-rounded dancers, emphasizing not only technique but also acting, stage presence, and overall artistry.

Expanding Artistic Horizons

Stevenson broadened Houston Ballet’s artistic scope by introducing works from contemporary choreographers such as George Balanchine, Christopher Bruce, William Forsythe, Paul Taylor, Frederick Ashton, John Cranko, and Jiří Kylián. This blend of classic and contemporary pieces attracted new audiences and solidified the company’s reputation for versatility.

A Unique Teaching Style

Known for his wit and generosity, Stevenson was a captivating teacher. He possessed an all-encompassing knowledge of dance training and a unique ability to impart his wisdom with both humor and grace. He famously demanded precision, once instructing the corps de ballet during a rehearsal, “Keep your legs down, girls. You’re wearing a tutu, not a thong.”

Legacy and Continued Influence

After retiring from Houston Ballet in 2003, Stevenson served as director of Texas Ballet Theatre before stepping down due to health concerns. He remained director emeritus of Houston Ballet until his death. His legacy continues to inspire current directors Stanton Welch and Julie Kent, who build upon the foundation he established. The article was written by D.L. Groover, a long-time contributor to the Houston Press.