In a recet interview with ComingSoon, stars Will Forte and Tina Fey discussed the upcoming second season of Netflix's The Four Seasons, set to premiere eight episodes on May 28, 2026. The show, co-created by Fey, Lang Fisher, and Tracey Wigfield, follows a group of friends from the Jersey shore and upstate New York to Italy as they navigate grief and personal growth. According to the interview, one recurring topic — the show's 'unrealistic amount of farts' — is a deliberate narrative choice that will receive resolution in Season 3.

The 'Unrealistic Amount of Farts': A Narrative Device with a Season 3 Payoff

In the ComingSoon interview, Forte and Fey acknowledged that the show contains an unusually high number of flatulence jokes, a detail they say will be explicitly addressed in the third season.. This meta-commentary aligns with the show's broader approach: using absurdist humor to explore genuine emotional terrain. as Fey noted, the key to balancing comedy and drama in The Four Seasons lies in communication among the cast and writers. The fart jokes, far from being gratuitous, are part of a planned arc that the creators intend to explain — a rare commitment to narrative coherence for a running gag.

This open acknowledgment of excess may help defuse criticism that the show leans too heavily on scatological humor. for a series that also deals with grief and friendship, the willingness to openly interrogate its own comic choices suggests a self-awareness that could strengthen viewer trust.

From Jersey Shore to Italy: How the Setting Reflects Grief and Friendship

According to the source, The Four Seasons picks up with the core group of friends as they travel from the familiar comforts of the Jersey shore and upstate New York to the stunning landscapes of Italy. The shift in geography mirrors an emotional journey: each friend grieves their late friend while embarking on new adventures. The contrast between the mundane American settings and the picturesque Italian backdrop underscores the tension between comfort and change, a central theme of the series.

As reported by ComingSoon, personal blind spots surface for the group as they navigate these unfamiliar surroundings. The show uses the physical journey to externalize internal growth , a technique familiar from Fey's earlier work on 30 Rock and Unbreakable Kimmy Schmidt, where character arcs often hinge on literal moves or changes of scenery.

The Unnamed Late Friend: An Open Question from the Season 2 Premise

The interview reveals that the friends are grieving a late friend who died before the events of the second sesaon. However, neither the friend's identity, relationship to the group, nor the circumstances of their death are disclosed. This gap leaves viewers with a specific open question: Will Season 2 explore who this person was, or will the loss remain a plot device to motivate character growth? Without attribution from the creators or additional reporting, it is unclear whether the late friend is a character from Season 1 or an unseen figure from the backstory.

The ComingSoon article does not include any quotes from Fey or Forte about the deceased character's role, suggesting that the show may deliberately withhold details to sustain mystery. For a series built on long-term friendships, the treatment of this loss could be pivotal to the emotional resonance of the coming episodes.

Tina Fey's Post-'30 Rock' Dramedy Evolution: How 'The Four Seasons' Compares

The Four Seasons represents Tina Fey's latest effort to blend broad comedy with genuine pathos, a formula she refined during seven seasons of 30 Rock and continued in Unbreakable Kimmy Schmidt and Great News (the latter co-created by Fisher). Unlike those shows, which often focused on workplace or survival scenarios, The Four Seasons entrenches itself in middle-aged friendship and naturalistic grief — a more grounded setting that demands a different tonal balane.

According to the interview, the key to maintaining that balance is communication among the cast and writers. Forte and Fey explicitly credited the collaborative process for preventing the comedy from undermining the drama. This behind-the-scenes approach mirrors the on-screen message: that enduring relationships require explicit dialogue even — or especially — about uncomfortable topics.