The Mandalorian and Grogu, the latest Star Wars feature starring Pedro Pascal, opened to $80 million but dropped more than 70% in its second weekend, landing behind the horror releases Backrooms and Obsession. Meanwhile, Pascal’s 2025 romantic drama Materialists is among the top ten most‑streamed films worldwide on HBO Max,showing a stark contrast between theatrical and streaming performance.

Backrooms and Obsession Push The Mandalorian and Grogu to Third Place

According to the source , the film’s second‑weekend earnings fell to $24 million, a steep decline from its $80 million opening. This slump left it behind the horror ttiles Backrooms and Obsession, which have captured significant audience attention and dominated the U.S. box office that weekend.

Pedro Pascal’s Star Power Persists on Streaming Platforms

While the Star Wars film struggled, Pascal’s other project, Materialists, directed by Celine Song, is currently among the top ten most‑streamed movies worldwide on HBO Max. The source notes that the film has earned roughly $102 million at the box office against a modest $20 million budget, ranking as the sixth highest‑grossing film in A24’s history.

What the Numbers Reveal About Modern Box‑Office Dynamics

The source highlights that The Mandalorian and Grogu has only exceeded $250 million globally after two weeks, far below the billion‑dollar milestone many expected. This underperformance underscores how quickly genre trends—such as the surge in horror—can derail even highly anticipated franchise tentpoles.

Unanswered Questions About Franchise Sustainability

According to the report, the film’s early performance raises questions about the sustainability of franchise‑driven tentpoles in an increasingly fragmented entertainment landscape. Key unknowns include whether extended theatrical runs or ancillary revenues will offset the initial drop, and how studios will adjust release strategies in future Star Wars installments.

Pedro Pascal’s Dual‑Platform Success Signals a Shift in Star Appeal

The source suggests that Pascal’s continued popularity across different mediums may signal broader changes in how star appeal is measured. While the theatrical showing faltered, his streaming success demonstrates that audiences still value his performances regardless of platform.