Sacha Baron Cohen and Rosamund Pike Hit London Red Carpet for Netflix’s Gender‑Swap Rom‑Com

Sacha Baron Cohen and Rosamund Pike stepped onto the red carpet in London on Sunday to promote the upcoming Netflix film “Ladies First.” The gender‑reversal romantic comedy, in which Cohen plays a misogynistic CEO in a world ruled by women, is set to stream on May 22.

Premiere at Ham Yard Hotel Sparks Media Buzz

According to the source, the premiere took place at London’s Ham Yard Hotel, where the two leads fielded questions about the film’s premise and their on‑screen chemistry.. Reporters noted the venue’s intimate setting, which contrasted with the larger promotoinal tour expected for a Netflix original.

Fans Slam First Trailer as “Worst Ever”

The film’s initial teaser drew a wave of criticism online, with some viewers calling it “the worst trailer I’ve ever seen,” as reported by the source. Social‑media backlash focused on the premise of a misogynistic CEO navigating a matriarchal reality,prompting debates about satire versus offense.

Cohen’s Recent Personal Spotlight Amid Promotion

While promoting the movie, Cohen’s recent personal life resurfaced in coverage. the source mentions his reccent public outings with OnlyFans model Hannah Palmer and earlier sightings with social‑media star Kelsey Calemine, both of whom are significantly younger than the 53‑year‑old actor. these details arrived just weeks after his divorce from actress Isla Fisher was finalized.

Netflix’s Release Strategy for “Ladies First”

Netflix plans to drop “Ladies First” globally on May 22,positioning it as a bold, comedic experiment in gender role reversal. As the source notes, the streaming platform is banking on the star power of Cohen and Pike to draw viewers despite the mixed reception to the teaser.

Who’s Behind the Controversial Concept?

The film’s creators have not yet disclosed the full creative team behind the gender‑swap narrative , leaving industry watchers to wonder whether the satire will land as intended. The source does not name the writer or director, highlighting a gap in public information that could affect audience expectations.