Nicole Kidman's 2015 thriller "Secret in Their Eyes" is slated to stream on Plex beginning June 1, 2026, offering fans a fresh look at a film that was originally panned. The movie, a remake of the Oscar‑winning 2009 Argentine drama, stars Kidman alongside Julia Roberts and Chiwetel Ejiofor. its new digital home arrives amid a banner year for the actress, who has recently headlined two successful streaming series.
June 1, 2026 Plex launch gives the film a new audience
The streaming debut on Plex is the first major digital release for "Secret in Their Eyes" since its theatrical run, according to the source. By making the film accessible on a popular platform, the move could spark a re‑evaluation among viewers who missed it the first time around.
39% Rotten Tomatoes score still looms over the remake
When it arrived in theaters, the American version earned a 39% rating on Rotten Tomatoes, reflecting the mixed reviews cited by critics. Reviewers described it as “not distinctive enough” and “hard to follow,” suggesting the adaptation failed to capture the original’s power.
Kidman's 2026 streaming resurgence fuels renewed interest
2026 has already proven to be a standout year for Nicole Kidman, with two hit series—Prime Video’s "Scarpetta" and Apple TV+’s "Margo's Got Money Troubles"—drawing strong viewership, as reported. The success of these projects has revived fan enthusiasm, prompting a search for more Kidman content, including the overlooked thriller.
Will the Plex release revive Kidman's thriller reputation?
It remains unclear whether the streaming exposure will shift public perception of the film. Some viewers are already re‑appraising its merits, but the source notes that the original criticism still dominates the conversation.
Interactive quiz ties the film to Oscar‑winning classics
Collider’s new quiz, mentioned in the source, matches users with Oscar Best Picture winners based on preferences , listing titles such as "Parasite" and "Oppenheimer" alongside "Secret in Their Eyes" to illustrate thematic parallels, hinting at a possible re‑contextualisation of the thriller within a broader cinematic canon .
Comments 0