Composer Will Bates has unveiled a preview of the upcoming Tuner soundtrack, highlighting the track “Breaking Codes” that underscores a pivotal moment in the film. The crime thriller, set to hit theaters later this year, follows piano tuner Niki (Leo Woodall) as his acute hearing leads him into the world of safe‑cracking. the soundtrack, slated for release by Decca Records on June 12, uses an unconventional “Stimmgerat” device to suggest piano tones without a piano.

“Breaking Codes” signals Niki’s first safe‑cracking act

According to the Collider preview, the piece arrives exactly when Niki discovers his rare hearing condition can be weaponised against vaults. The track’s tension mirrors his internal shift from a meticulous craftsman to a reluctant criminal, marking the first major narrative turn.

Will Bates employs a 1960s East German “Stimmgerat” to fake piano sounds

In an interview, Bates explained that the “Stimmgerat”—a vintage piano‑tuning oscillator with twelve built‑in pitches—was layered through analog tape to create chordal textures. He added that a “lobotomized piano harp” with MIDI‑triggered mallets supplies the mechanical percussion,giving the cue a percussive edge while avoiding the instrument’s familiar timbre.

Decca Records schedules the full Tuner soundtrack for June 12

Decca Records confirmed the album’s worldwide release date as June 12, allowing fans to own the full score after the film’s debut. The label’s involvement signals a high‑profile push for the music, positioning Bates alongside other contemporary thriller composers.

Who else contributed to the film’s sonic palette?

The source notes that director Daniel Roher collaborated closely with Bates, urging him to “elude to the piano, without ever actually incorporating its familiar sound.” While the preview focuses on Bates’ innovations, the article does not name any additional musicians or sound designers, leaving their roles unclear.

Unanswered: How will the “Stimmgerat” motif evolve after the turning point?

The preview hints that the device’s oscillating tones will reappear later in the film, but no details are given about whether the motif will become a leitmotif for Niki’s criminal side or remain a one‑off cue. Additionally, the article does not disclose whether the soundtrack will feature any traditional piano passages at all.